LOCATIVE MEDIA
‘We have demonstrated the ability to selectively
deny GPS signals on a regional basis, particularly when our national security
is threatened.’ (Lt. Jeremy Eggers, 50th Space Wing,
Schriever AFB, Colorado)
Myriorama explores position- and motion-tracking at widely different scales:
across the city, and inside the venue. The wanderer’s location in
the city is reported by satellite-based Global Positioning System (GPS),
and fed into the venue’s local network via a cellphone network (GPRS)
and the internet. Inside, the data are manipulated and transformed in
real time by the dancer's gestures, using a wireless sensor system.
The emergence of cellphones, GPS, and other location-aware devices seems
to favour the local and contextual over the global. However, most of the
communication networks that these devices operate in remain centralised
and closed.
The widespread availability of accurate position data has triggered a
wave of media art and activist works focused on novel cartography; many
of these are process-based or involve public participation. The term locative
media encompasses all such works that use position-fixing mobile technologies.
Some works are being appropriated by the ‘creative industries’,
especially gaming. But locative media, as informed, for example, by the
Situationist International, can also be a locus of resistance.
"myriorama" : A picture made up of several smaller pictures,
drawn upon separate pieces in such a manner as to admit of combination
in many different ways, thus producing a great variety of scenes or landscapes.
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